Showing posts with label Cult. Show all posts
Showing posts with label Cult. Show all posts

Monday, November 11, 2013

Joss Whedon: Much Ado About Nothing, Streaming Films and Shows

Only time for a short post with a long list of titles today.  This evening I'm finally going to catch up with Joss Whedon's Much Ado About Nothing, which played the festival circuit and had a limited release and is now available on several on-demand streaming services. (When a title is available on several services, I'll provide a button link to the least expensive option, and a link to the other options at GoWatchIt). As a double-feature I hope to add Cabin in the Woods, co-written by Whedon, which I probably should have caught up with around Halloween, but then again I've never been much of a Halloween fan.

Whedon is interesting for many reasons. A third generation screenwriter (following in the footsteps of his grandfather John Whedon and father Tom Whedon), he seems equally comfortable in the realms of feature films and hour-long television. He's also equally comfortable working in "universes" devised by others (the Marvel universe) or himself (the Buffy universe). And when he's not working on those more elaborate projects he's able to put together more low-key projects, often working with the same group of actors, like Much Ado About Nothing and Dr. Horrible's Sing-Along Blog. Of the "name directors" who are currently bouncing back and forth between television and feature films, Whedon is not as interesting as Steven Soderbergh (who perhaps now will only do television projects), but I find him far more interesting than J.J. Abrams. Both Whedon and Abrams are in the tradition of "movie brats," but I enjoy Whedon's eagerness to explore different formats (comics, the internet) more than Abrams evolving devotion to Spielberg and Lucas.

The only Whedon series I've watched the whole way through has been Firefly, which is pretty easy since it only lasted one season, with an additional feature film, Serenity. In the list below I've included a documentary on the history of the show, Done the Impossible: The Fans' Tale of Firefly and Serenity.




Posters and Synopses from The Movie Database

Feature Films


Much Ado About Nothing (Joss Wheadon, USA, 2012, 109 minutes)

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.






Cabin in the Woods (Drew Goddard, USA, 2012, 95 minutes)

(Co-written by Joss Whedon)

Five college friends spend the weekend at a remote cabin in the woods, where they get more than they bargained for. Together, they must discover the truth behind the cabin in the woods.






Marvel's The Avengers (Joss Whedon, USA, 2012, 183 minutes)

When an unexpected enemy emerges and threatens global safety and security, Nick Fury, director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!






Serenity (Joss Whedon, USA, 2005, 119 minutes)

When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle between the relentless military might of a totalitarian regime who will destroy anything - or anyone - to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But, the greatest danger of all may be on their ship.





Done the Impossible: The Fans' Tale of Firefly and Serenity (Brian Wiser, USA, 2006, 79 minutes)

A documentary covering Firefly's birth, death and rebirth from the perspective of both the fans and the cast and crew of both productions.





Dr. Horrible's Sing-Along Blog (Joss Whedon, USA, 2008, 42 minutes)

Dr. Horrible, an aspiring supervillain with his own video blog, is attempting to join the prestigious Evil League of Evil (led by the legendary "thoroughbred of sin", Bad Horse), but his plans are usually foiled by the egotistical superhero Captain Hammer. Dr. Horrible's life is thrown for a loop when he falls in love with Penny, a beautiful and optimistic advocate for the homeless he meets at the laundromat.




Television



Marvel's Agents of S.H.I.E.L.D. (2013-present)

Marvel's Agents of S.H.I.E.L.D., or simply Agents of S.H.I.E.L.D., is an American television series created for ABC by Joss Whedon, Jed Whedon and Maurissa Tancharoen, based on the Marvel Comics organization S.H.I.E.L.D.. The series is produced by ABC Studios, Marvel Television, and Mutant Enemy and is set in the Marvel Cinematic Universe, sharing continuity with the films in that franchise. It revolves around the character of Phil Coulson, with Clark Gregg reprising the role.





Firefly (2002-2003)

Firefly is an American space western drama television series created by writer and director Joss Whedon, under his Mutant Enemy Productions label. The series is set in the year 2517, after the arrival of humans in a new star system, and follows the adventures of the renegade crew of Serenity, a "Firefly-class" spaceship. The ensemble cast portrays the nine characters who live on Serenity. Whedon pitched the show as "nine people looking into the blackness of space and seeing nine different things".

The show explores the lives of a group of people who fought on the losing side of a civil war and others who now make a living on the outskirts of society, as part of the pioneer culture that exists on the fringes of their star system. In this future, the only two surviving superpowers, the United States and China, fused to form the central federal government, called the Alliance, resulting in the fusion of the two cultures. According to Whedon's vision, "nothing will change in the future: technology will advance, but we will still have the same political, moral, and ethical problems as today."






Buffy the Vampire Slayer (1997-2003)

Buffy the Vampire Slayer is an American television series which aired from March 10, 1997 until May 20, 2003. The series was created in 1997 by writer-director Joss Whedon under his production tag, Mutant Enemy Productions with later co-executive producers being Jane Espenson, David Fury, David Greenwalt, Doug Petrie, Marti Noxon, and David Solomon. The series narrative follows Buffy Summers, the latest in a line of young women known as "Vampire Slayers" or simply "Slayers". In the story, Slayers are "called" to battle against vampires, demons, and other forces of darkness. Like previous Slayers, Buffy is aided by a Watcher, who guides, teaches, and trains her. Unlike her predecessors, Buffy surrounds herself with a circle of loyal friends who become known as the "Scooby Gang".







Angel (1999-2004)

Angel is an American television series, a spin-off from the television series Buffy the Vampire Slayer. The series was created by Buffy's creator, Joss Whedon, in collaboration with David Greenwalt. It aired on The WB from October 5, 1999, to May 19, 2004, consisting of five seasons and 110 episodes. Like Buffy, it was produced by Whedon's production company, Mutant Enemy.

The show details the ongoing trials of Angel, a vampire whose human soul was restored to him by gypsies as a punishment for the murder of one of their own. After more than a century of murder and the torture of innocents, Angel's restored soul torments him with guilt and remorse. During the first four seasons of the show, he works as a private detective in a fictionalized version of Los Angeles, California, where he and a variety of associates work to "help the helpless", restoring the faith and saving the souls of those who have lost their way. Typically, this involves doing battle with evil demons or demonically allied humans, primarily related to Wolfram & Hart, a demonic law firm. He must also battle his own demonic nature.






Dollhouse (2009)

Dollhouse is an American science fiction television series created by writer and director Joss Whedon under Mutant Enemy Productions. It premiered on February 13, 2009, on the Fox network and was officially canceled on November 11, 2009. The final episode aired on January 29, 2010. Production wrapped in December 2009, with a total of 27 episodes produced including the original pilot.

The show revolves around a corporation running numerous underground establishments across the globe which program individuals referred to as Actives with temporary personalities and skills. Wealthy clients hire Actives from Dollhouses at great expense for various purposes. The series primarily follows the Active known as Echo, played by Eliza Dushku, on her journey towards self-awareness. Dushku also served as series producer.





Glee

(Joss Whedon directed Season 1, Episode 19, "Dream On")

Glee is an American teen musical comedy-drama television series that airs on the Fox network in the United States. It focuses on the reconstituted William McKinley High School glee club, New Directions, which competes on the show choir competition circuit while its disparate members deal with relationships, sexuality, social issues, and learning to become an effective team. The initial twelve-member main cast encompassed new club director and Spanish teacher Will Schuester, cheerleading coach Sue Sylvester, guidance counselor Emma Pillsbury, Will's wife Terri, and eight club members played by Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley, Mark Salling, and Jenna Ushkowitz. In subsequent seasons, the main cast has expanded to fourteen and fifteen members.







Wednesday, November 6, 2013

Stream Ryan Trecartin's Center Jenny through Nov. 8 at Vdrome

Very high on my to-view list is Center Jenny, a new video by Ryan Trecartin, and one of four that he screened at the Venice Biennale.  In fact, I should probably watch it tonight, because it is only streaming on the Vdrome website channel through November 8.

As the Vdrome about page will tell you, Vdrome is "an online platform that offers regular, high quality screenings of films and videos directed by visual artists and filmmakers, whose production lies in-between contemporary art and cinema." You can consult the Vdrome archive for previous artists and films, but the streams themselves are only available for a limited time.

It is difficult to open the Vdrome Vimeo links outside of the Vdrome page itself, and I've not been able to use my previously described technique of using the myPlex Media Queue to watch Vdrome on my television. This seems like a good scenario for using Chromecast to fling the Chrome tab containing the Vdrome video to my television, because while Trecartin's work is driven by an internet sensibility, I don't want to watch it on a computer.

Quite a bit of Trecartin's earlier work is available on UbuWeb, and I feel less guilty about pointing you there in this context because unlike other work on Ubu, Trecartin's work is there with the artist's permission. As you will see Trecartin is quite prolific, and it is difficult to catch up with his work because it can be somewhat exhausting to keep up with his hyperkinetic style. One place to start might be I-BE-AREA from 2007, the first hour of which I think is absolutely brilliant, followed by a second hour that would be just as great if I hadn't been so exhausted by the first.





Center Jenny (Ryan Trecartin, USA, 2013, 53 minutes)

Vdrome: Ryan Trecartin’s movies unfold like futuristic fever dreams. Collaborating with his cast, Trecartin’s layered aesthetic reveals high-definition uncanniness, wherein digital life dynamics and gamesmanship merge with pop culture histrionics and banality. In CENTER JENNY, part of Trecartin’s presentation at the 55th Venice Biennale, his characters continuously evolve towards a post-human realm through reality show hermeneutics, prosumer rhetoric, and collegiate rituals.

Note: After November 8, the Center Jenny links will simply take you to the Vdrome main page.





I-BE-AREA (Ryan Trecartin, USA, 2007, 105 minutes)

UbuWeb, citing Electronic Arts Intermix Catalog: 

Holland Cotter, writing in The New York Times, describes the "sensationally anarchic" video I-Be Area, in which Trecartin uses what Cotter terms "very basic digital tools to create a highly personal narrative art, almost a kind of folk art."

Cotter writes: "We're in a house of many tight, messy rooms. In the suburbs? Cyberspace? Hard to say. Anyway, it's night. A door bangs open. A girl, who is also a boy, dashes in, talking, talking. Other people are already there, in gaudy attire, dire wigs and makeup like paint on de Koonings. Everyone moves in a jerky, speeded-up, look-at-me way and speaks superfast to one another, to the camera, into a cellphone. Phrases whiz by about cloning, family, same-sex adoption, the art world, the end of the world, identity, blogging, the future. Suddenly indoors turns into outdoors, night into day, and we're at a picnic, in dappled sunshine, with a baby. Then this all reverses, and we're indoors again. A goth band is pounding away in the kitchen. The house is under siege. Hysteria. Everyone runs through the walls."

"...For queer artists of Mr. Trecartin's generation, cross-dressing, cross-identifying and cross-thinking are part of a state of being, not statements of political position. Like the work of John Waters and Jack Smith, his art is about just saying no to life as we think we have seen it and saying yes to zanier, virtual-utopian possibilities."





Wednesday, October 16, 2013

Television: The Prisoner, The Tulse Luper Suitcases



Only time for a brief entry today, so I'll call your attention to one of my favorite television shows of all time, and another that I have in my queue in its various forms.

Crackle is a free, ad-supported streaming service; it doesn't have a lot, but it does have a few gems. I'm probably making a mistake writing such a short post to call your attention to The Prisoner, about which I could go on and on. For now it is enough to say that it is one of the best, and certainly the most imaginative television series ever made.  Recently Dangerous Minds posted a link to an interesting interview with the creator and star of The Prisoner, Patrick McGoohan; I recommend watching at least a few episodes before listening to the interview.

The YouTube description of the video provides a link to a web version of the book, The Prisoner Puzzle, published in 1976.

Again, probably a mistake to try to briefly discuss Peter Greenaway's multi-media project The Tulse Luper Suitcases, which Wikipedia describes as "initially intended to comprise four films, three 'source' and one feature, a 16-episode TV series, and 92 DVDs, as well as Web sites, CD-ROMs and books." The official website for the project describes it as, "a personal history of Uranium by Peter Greenaway." One of the supplementary websites, The Tulse Luper Journey, is an interactive game where "players are required to assemble a 92 minute movie from "layers" obtained by completing short puzzles/games, each which then open one of 92 suitcases containing a piece of the 92 minute movie" (Wikipedia). Fans of Greenaway will recognize Tulse Luper as a mysterious figure in several of his early short films, including one of my favorites, Vertical Features Remake.

Three different manifestations of the project are available to stream on Netflix.  Three films, The Tulse Luper Suitcases, Part 1: The Moab Story; The Tulse Luper Suitcases, Part 2: Vaux to the Sea; and The Tulse Luper Suitcases, Part 3: From Sark to the Finish, are all available in one Netflix entry (listed like three episodes of a television show).  From there you can go long, or you can go short: The TV Series is 16 episodes, and another feature film, A Life in Suitcases, is 120 minutes long. I have not yet ventured very far into this project, but the Netflix member reviews on most of these pages are worth the clicks alone.




The Prisoner (1967, 1 Season, 17 Episodes)





The Tulse Luper Suitcases (2003, 3 Episodes)





The Tulse Luper Suitcases - The TV Series (2004, 1 Season, 16 Episodes)





A Life in Suitcases (Peter Greenaway, UK, 2005, 120 minutes)



Thursday, February 2, 2012

Korea: I'm a Cyborg..., Poetry, I Saw the Devil, Mother

Here's a quick list of recent Korean films available for streaming on Netflix Watch Instantly.  Korean cinema has been very successful on the international film festival circuit in the past few years, and a few Korean directors have also earned a cult following in various areas of genre filmmaking (especially horror).

Chan-Wook Park is probably best known for Oldboy, which won the Grand Prix of the Jury at the 2003 Cannes Film Festival.  His Sympathy for Mr. Vengeance (2002) and Lady Vengeance (2005) are also currently streaming on Netflix.  These next two films are interesting ventures in to very different genres: romantic comedy and vampire horror.


I'm a Cyborg, but That's Okay (Chan-wook Park, Korea, 2006, 107 minutes)
Netflix: Placed in a psych ward for believing she's a robot, troubled Young-goon forsakes food and attempts instead to charge her body with electronic devices. As her health deteriorates, another eccentric patient tries to inspire her to start eating again.  Netflix link.







Thirst (Chan-wook Park, Korea, 2009, 133 minutes)
Netflix: When the smoke clears from a failed experiment to find a cure for a fatal disease, a devout priest finds himself forever changed. Specifically, he's a vampire -- but that isn't the only thing that's different. Now he's also willing to commit adultery with the wife of his childhood friend, a sin he never would have considered before. Kang-ho Song, Ha-kyun Shin and Ok-bin Kim co-star in this horror offering from Korean director Chan-Wook Park.  Netflix link.






Lee Chang-dong's Poetry was particularly successful on the international film festival circuit, winning the 2010 Screenplay Award at the Cannes Film Festival.  Poetry currently has a 100% Tomatometer critical rating at Rotten Tomatoes.


Poetry (Chang-dong Lee, Korea, 2010, 139 minutes)
Netflix: A poetry-writing class inspires serenely self-possessed grandmother Mija (Jeong-hie Yun) to open her senses to her suburban surroundings, but in rushes an array of unsettling discoveries in this lyrical South Korean melodrama. Along with a diagnosis of Alzheimer's disease comes information that Mija's teenage grandson was party to a horrific incident, and it is left to Mija to compose order from the untidy emotional consequences.  Netflix link.





Kim Ji-woon is also known for his 2008 cult action film The Good, the Bad, and the Weird, which is also streaming on Netflix.  I Saw the Devil is not for all tastes, but you'll realize that when you read the synopsis.

I Saw the Devil (Ji-woon Kim, Korea, 2011, 142 minutes)
Netflix: From famed thriller director Ji-woon Kim comes this edgy thriller about secret agent Dae-hoon (Byung-hun Lee), who discovers how far over the edge he will go in order to seek revenge after his fiancée is brutally slain by psychopathic serial killer Kyung-chul (Min-sik Choi). With the police baffled by Kyung-chul's murders, Dae-hoon decides to capture the killer, but his own increasing violence makes him wonder who the monster really is.  Netflix link.






Bong Joon-ho had an international breakthrough hit with The Host in 2006, and that film just became available again on Netflix Watch Instantly.  His most recent film, Mother, currently has a 95% Tomatometer critical rating at Rotten Tomatoes.

Mother (Joon-ho Bong, Korea, 2009, 129 minutes)
Netflix: A murder rocks a South Korean town and suspicion quickly falls on a reclusive, mentally challenged -- and alibi-free -- young man (Bin Won). When an inept public defender botches the boy's case, his mother (Hye-ja Kim) sets out to prove her son's innocence. Acclaimed director Joon-ho Bong (Memories of Murder) explores the lengths a mother will go to protect her child in this atmospheric crime thriller.  Netflix link.








Thursday, October 20, 2011

Expiring Soon: 8 1/2, Duck Soup, The Bicycle Thief

One of the most frustrating things about the world of online streaming is that you never know when contracts between Netflix and their content providers are going to expire, until it's too late and a film in your queue is gone.  As I've mentioned in the past, a helpful resource for new release and expiration dates for Netflix is InstantWatcher, although they'll be the first to admit that the API info that feeds their system is not always accurate.  Sometimes the information just doesn't seem to make sense, like the listing for Robert Altman's The Long Goodbye (which I recently wrote about) which states that it will be streaming from September 1 to November 1, 2011--a two month contract?  We already only have 11 days left?  It was just added?  (Let's hope this is an error, but watch it just in case.)

In any case there is a long list of titles expiring on November 1 or sooner, and you might want to check InstantWatcher to see if there are any that you want to see before their gone.  I think you'll find that quite a lot of them will not be missed.  But below I've listed a few worth looking at if you haven't already (some have been discussed in earlier posts).

We begin with Fellini's 8 1/2, which many of you know is my favorite film of all time.  It seems unlikely that this will return to Netflix, but at some point it should be part of the Criterion Collection package at Hulu.

8 1/2 (Federico Fellini, Italy, 1963, 138 minutes)
Netflix: Dog-tired movie director Guido Anselmi (Marcello Mastroianni) retreats to thoughts of yesteryear when his producers, his wife (Anouk Aimee) and his mistress (Sandra Milo) all pressure him to start making another movie. Director Federico Fellini's semiautobiographical rumination on the joys and rigors of filmmaking -- as well as lovers past and present -- won two Oscars: Best Foreign Language Film and Best Costume Design, Black-and-White.  Netflix link.  Expires November 1.





If you have 68 minutes to spare, and you have never seen Duck Soup, by all means do so before October 30.

Duck Soup (Leo McCarey, USA, 1933, 68 minutes)
Netflix: Thanks to the patronage of well-heeled widow Mrs. Teasdale (Margaret Dumont), Rufus T. Firefly (Groucho Marx) becomes dictator of the tiny country of Freedonia. But when the ambassador of the bordering nation of Sylvania declares his love for Mrs. Teasdale, Firefly declares war. The Marx Brothers are at their sidesplitting best in this raucous political satire, in which Chico, Harpo and Zeppo co-star as spies and counterspies.  Netflix link.  Expiring October 30.






And De Sica's The Bicycle Thief is simply a masterpiece of world cinema, so influential even to this day that you need to see it to understand where half of the inspiration for the international film festival circuit and American independent cinema comes from.

The Bicycle Thief (Vittorio De Sica, Italy, 1948, 89 minutes)
Netflix: Widely considered a landmark Italian film, Vittorio De Sica's tale of a man who relies on his bicycle to do his job during Rome's post-World War II depression earned a special Oscar for its devastating power. The same day Antonio (Lamberto Maggiorani) gets his vehicle back from the pawnshop, someone steals it, prompting him to search the city in vain with his young son, Bruno (Enzo Staiola). Increasingly, he confronts a looming desperation.  Netflix link.  Expires November 1.


Here's a short list of some other titles that jumped out at me on the expiration list (this is by no means exhaustive).

Broken Blossoms (D.W. Griffith, 1918)

The General (Buster Keaton, 1927)

October (Sergei Eisenstein, 1927)

Alexander Nevsky (Sergei Eisenstein, 1938)

The Palm Beach Story (Preston Sturges, 1942)

Ivan the Terrible (Sergei Eisenstein, 1944)

Unfaithfully Yours (Preston Sturges, 1948)

Flesh (Paul Morrissey, 1969)

Putney Swope (Robert Downey, 1969)

Women in Revolt (Paul Morrissey, 1971)

Blue Velvet (David Lynch, 1986)

Mutual Appreciation (Andrew Bujalski, 2005)









Monday, October 17, 2011

Documentary: Armadillo, Winnebago Man, Art Star

A few notable documentaries have been added to Netflix Watch Instantly in the past few days.

Janus Metz's Armadillo is an amazingly well shot war documentary produced while Metz was embedded with Danish troops in Afghanistan.  This would make an interesting double feature with Restrepo by Sebastian Junger and the late Tim Hetherington.  At the time of the release of Armadillo Metz was interviewed by Aaron Hillis at the GreenCine Daily Podcast, where he goes into some detail about the production of the film.


[Mobile users double click for fullscreen]

Armadillo  (Janus Metz, Denmark, 2010, 101 minutes)
Netflix: Documentarian Janus Metz hunkers down with a platoon of Danish soldiers on a six-month Afghan tour of duty, and his exceptional access yields a field-level view of the boredom, adrenaline and confusion that comprise their daily routine. Shot in assorted digital formats on cameras at times fixed to soldiers' helmets, the film records the recruits on patrol and at rest and witnesses their transformation when finally called to combat.  Netflix link.




Ben Steinbauer's Winnebago Man takes as its starting point a widely seen viral video of outtakes from a Winnebago promotional video.


Winnebago Man (Ben Steinbauer, USA, 2009, 85 minutes)
Netflix: This entertaining documentary explores the phenomenon of Jack Rebney, who became an Internet sensation after a grainy, nearly 20-year-old video of him furiously swearing up a storm while filming a Winnebago sales video made the rounds online. Traveling to a mountaintop, filmmaker Ben Steinbauer tracks down Rebney -- who's become known in underground circles as the "Angriest Man in the World" -- and tries to discover what makes the loner tick.  Netflix link.




Pietra Brettkelly's The Art Star and the Sudanese Twins is one of those interesting documentary experiences where you have decidedly mixed feelings about both the subject and the filmmakers.  Your response to the film might depend on your feelings about the art world in the first place, but even if you are sympathetic to the conceptual side of contemporary art, you might find yourself squirming awkwardly watching certain sequences here.  Personally, I like have those kinds of conflicted viewing experiences, so I recommend the film even though I'm not always sure about ethical issues in the film.


The Art Star and the Sudanese Twins (Pietra Brettkelly, New Zealand, 2007, 98 minutes)
Netflix: Contemporary artist Vanessa Beecroft's passionate attempt to adopt Sudanese twins Madit and Mongor Akot is the focus of this documentary. As Beecroft works tirelessly to fulfill her dream of adoption, she places her marriage and her career at risk. Known for pushing boundaries through her art, Beecroft wants to be the first foreigner to legally take South Sudanese children out of the country, an action certain to have far-reaching implications.  Netflix link.




Tuesday, October 4, 2011

Jeff Bridges: The Big Lebowski, Tron: Legacy, Cutter's Way

Two of the films in today's entry probably don't need to be brought to your attention because you've probably noticed them popping up in Netflix's "New Movie Arrivals" on Watch Instantly.  But in the spirit of creating themed entries to encourage you to explore the less familiar on Netflix, I've matched them with a lesser known Jeff Bridges film from the early 1980s.

The Big Lebowski is one of those strange films that might not impress you on first viewing, but gets significantly better as you think about it and talk about it and revisit it with repeat viewings.  Certainly that was my experience watching it when it was initially released, and many considered it an odd misfire after the critical success of Fargo.  But it has subsequently been absorbed into pop culture to such a degree that perhaps it's quotes and references ("It really ties the room together," "The Dude abides," see The Big Lebowski Random Quote Generator for more) are better known than the movie itself.  So whether you're seeing it for the first or fiftieth time it is well worth checking out on Netflix Watch Instantly.


The Big Lebowski (Joel Coen, USA, 1998, 117 minutes)
Netflix: Slacker Jeff "The Dude" Lebowski (Jeff Bridges) gets involved in a gargantuan mess of events when he's mistaken for another man named Lebowski, whose wife has been kidnapped and is being held for ransom. All the while, Dude's friend, Walter (John Goodman), stirs the pot. Brothers Joel Coen and Ethan Coen write and direct this cult comedy classic that also stars Steve Buscemi, Philip Seymour Hoffman, Julianne Moore and John Turturro.  Netflix link. 




Okay, so Tron: Legacy is not as good as most of the films that I post here, but it is still worth watching at least one time, if only for the performance of the CGI generated young version of Jeff Bridges as Clu (Codified Likeness Utility).  I thought the film took too much time making sure that it showed updated versions of the famous sequences from the first film, rather than going wherever the imagination could go in the Tron universe.  But that said, the visual design is often quite stunning.


Tron: Legacy (Joseph Kosinski, USA, 2010, 125 minutes)
Netflix: While investigating the mysterious disappearance of his father, Kevin (Jeff Bridges), techie Sam Flynn (Garrett Hedlund) lands in a beguiling computerized world of enslaved gladiators, where his dad has been living for more than 20 years. Joined by Kevin's trusted friend (Olivia Wilde), the father and son must journey across a breathtaking -- and perilous -- cyberscape in this 21st-century update to the beloved 1982 sci-fi classic. Netflix link.




I'm not familiar with Cutter's Way but after looking into it I placed it in my queue and I look forward to catching up with it.  From the trailer it looks like it might resonate in interesting ways with The Big Lebowksi, not for Bridges's role, but for John Heard's role (almost unrecognizable, until you hear his voice) as the eccentric Alex Cutter.  This film had an interesting distribution history, getting mixed to negative reviews on first release, but subsequently found more receptive critics after United Artists turned it over to its classics division.


Cutter's Way (Ivan Passer, USA, 1981, 109 minutes)
Netflix: Burned-out beach-bum Richard Bone (Jeff Bridges) and his best friend, disfigured Vietnam veteran Alex Cutter (John Heard), stumble on a murder cover-up involving a powerful landowner in director Ivan Passer's brooding crime thriller. But Bone gets more than he bargained for when Cutter insists on blackmailing the suspect, who forces them into a cunning cat-and-mouse game that ignites a full-blown war. Lisa Eichhorn plays Cutter's neglected wife.  Netflix link.