Showing posts with label Roku. Show all posts
Showing posts with label Roku. Show all posts

Monday, November 4, 2013

Johnny To: 10 Films Streaming on Roku

Katherine Spring, recent author of Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema (congrats, Katherine!) posted an interesting link on her Facebook page to Ranked: The Films of Johnnie To From Worst to Best. Almost everyone commenting on the link agreed that there were problems with the rankings (that is true of all such lists, and that is why people keep making them), but nearly everyone agreed that the list itself was ambitious. While many fans in the West know To for his action and triad films, this list does a good job recognizing his romance and comedy output as well.  While I'm a personal fan of Running on Karma (2003), I'm not sure if I would place it at #3 among the films that I've seen so far, but then again clearly Jake Cole at Film.com has seen more of To's overall output than I have. His list has 49 titles, of which I have seen 20, most of which are the action films (and most are at the top of his list).

What inspired me to follow up on this list with a blog entry today was Cole's placement of Romancing in Thin Air (2012) at number 1 on the list. It's one I hadn't seen, or even heard of. Cole points out that while it has not been released in theaters or on DVD in the United States, it is currently available on Hulu (free Hulu in fact, not just Hulu Plus).  I did a little more digging and discovered it is also available on Amazon Prime Instant Video, for those who want to avoid Hulu's ads.

Romancing in Thin Air is certainly a charming, if somewhat predictable, romance. While watching it I was reminded how To has viewed his output as one film to keep Milkyway Studios going strong, then one film for the critics.  Certainly this film is for a general audience, it's well crafted and acted and certainly worth a look for those who are less familiar with this significant part of To's output.  I'm not as crazy about it as Jake Cole at Film.com, but it does fit in interesting ways into To's recurring themes in his non-triad work. Also streaming on Amazon Prime Instant Video is the #16 film on Cole's list, Don't Go Breaking My Heart (2011, co-directed by Wai-Ka Fai), which I also hope to catch up with in the near future.

The other recent To films hat have received more attention from the critics currently are also worth checking out. Drug War has several interesting genre twists that really get you just when you think you know where the film going, and its third act really punches you in the gut. Life Without Principle is a clever network narrative following several characters on the day of a global financial meltdown. It features some abrupt shifts in tone that only To seems to be able to pull off effectively (or perhaps only To is allowed to get a away with).

I did a March, 2011 blog entry on To films streaming on Netflix, but while those links still bring you to the film's Netflix page (the links are not broken), very few of those titles are still streaming.



Posters and Synopses from The Movie Database unless noted.



Romancing In Thin Air (Johnny To, Hong Kong, 2012, 111 minutes)

Amazon Instant Video: After a popular actor is jilted at the altar by an actress he travels to the mountainous area of Yunnan province. There, he finds true love with a heartbroken woman who is also a secret fan of the actor.






Drug War (Johnny To, Hong Kong, 2012, 105 minutes)

The taciturn police commander Zhang leads an undercover drugs team and in his continuous battle against the ubiquitous drug barons, takes up arms against his arch enemy, Timmy Choi. When he gets hold of Choi, he makes a deal with him: in exchange for his life (in China you can get the death penalty for producing only 50 grams of drugs) the young criminal will help the police infiltrate a sizeable drug network.






Life Without Principle (Johnny To, Hong Kong, 2011, 87 minutes)

A criminal, a bank clerk and a police officer find their destinies entwined when a loan shark gets assaulted after having withdrawn $10 million from the bank in the midst of the world financial crisis.






Don't Go Breaking My Heart (Johnny To & Wai Ka-Fai, Hong Kong, 2011, 115 minutes)

Mainlander & financial analyst Cheng Zixin (Gao Yuan-Yuan), who followed her then boyfriend Owen (Terence Yin) to Hong Kong, runs into her ex-boyfriend while riding the bus. Owen is now with his pregnant wife and when his wife spots Owen talking to his ex she she freaks out. Cheng hurriedly gets off the bus and, being in a daze, is almost run over by a car. A haggard drunk named Fang (Daniel Wu) then saves Cheng. Meanwhile, in a nearby car, sits CEO Cheung Shen (Louis Koo) who watches everything that transpires. CEO Cheung Shen is a playboy who also works in an office building directly adjacent to Cheng Zixin. Cheung Shen soon starts to woo Cheng Zixin by sending messages to her through the window of his office building. The drunk haggard Fang, who saved Cheng Zixin's life, runs into Cheng Zixin a few weeks later. It turns out that the drunk haggard is a Canadian-born top architect going through personal problems. They soon become friends.






Vengeance (Johnny To, Hong Kong, 2009, 108 minutes)

François Costello arrives in Hong Kong to avenge the death of his daughter and her family, who were murdered by hired killers. Twenty years before, Costello was a professional hitman... As Costello's memory is fading away, three professional killers, Kwai, Chu and Lok, are sought to help him complete his revenge plan.






Triangle (Johnny To & Ringo Lam & Tsui Hark, Hong Kong, 2007, 101 minutes)

Small-timer Fei (Louis Koo), his harried buddy Sam (Simon Yam), and antique store owner Mok (Sun Hong Lei) are all in desperate need of money. Fei wants his friend to drive a robbery getaway car but Sam backs out, throwing Fei in trouble with the triads. As the three are arguing, a mysterious man leaves them a map, leading them to an unlikely treasure under the Legislative Council building. All their financial woes seem to be solved after a late-night heist, but they are being tracked by shady cop Wen (Lam Ka-Tung), who is carrying on an affair with Sam's emotionally unstable wife, Ling (Kelly Lin), and has connections with Fei. When the twisted relationship tangles come to light, the brotherhood dangerously breaks down and the treasure ends up in the wrong hands.






Mad Detective (Johnny To & Wai Ka-Fai, Hong Kong, 2007, 89 minutes)

A rookie cop teams up with a former detective with a supernatural gift to hunt down a serial killer.






Exiled (Johnny To, Hong Kong, 2006, 110 minutes)

A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.







Election (Johnny To, Hong Kong, 2005, 115 minutes)

A drama-thriller centered on a democratic election within an organized crime society.






The Heroic Trio (Johnny To, Hong Kong, 1992, 88 minutes)

Tung and Ching were both adopted by the same master. But later Ching was abducted by the eunuch-Chan. Ching grew up and became scientist Li's assistant and Tung married officer Lau. Chat had escaped from Chan at 15 and became a thief-catcher. During Chan's intrigue the trio united to become "The heroines of the East".







Friday, November 1, 2013

IVFF Pages: "Quick Picks," "In My Queue," and "Streaming Tools"


I thought I'd use this entry to point out some of the Instant View Film Festival pages I've been developing to help you quickly find good stuff to watch.  The "Quick Picks,""In My Queue," and "Streaming Tools" pages will always be available through the links on the top navigation bar, and I will update them periodically (and I will try to remove dead links quickly).

On the Quick Picks page I will simply list titles that I've liked that are currently streaming. Currently, the page only features Netflix and Hulu Plus titles, but I plan to add other streaming sources very soon (Amazon Prime Instant Video, in particular).  As I point out on the page, almost everything in the Criterion Collection on Hulu Plus is worth watching, so I put together a list of one film for each letter of the alphabet (more or less).  Below I have pasted the list that I updated this week to give you as sense of what you can expect and save you a click.

On the In My Queue page I will simply list titles that I hope to get around to watching soon. The difference between the two pages will be that "Quick Picks" are titles that I've seen and recommend, "In My Queue" are titles that I find intriguing but haven't seen yet, but I think you will want to know are currently available.

On the Streaming Tools page I will periodically add tips that I have discovered using the Roku Streaming Player, Chromecast, and Samsung Smart Hub apps.  For example, I just added a tip on how to watch Conan without commercials using the Roku Plex App.  In the future I will also add notes on lesser known Roku channels worth exploring.







Netflix 

Classic American / English Language Films

The Conversation (Francis Ford Coppola, USA, 1974, 113 minutes)

The Cook, the Thief, His Wife, and Her Lover (Peter Greenaway, 1989, 124 minutes)

Dead Man (Jim Jarmusch, USA, 1995, 121 minutes) 

Duck Soup (Leo McCarey, USA, 1933, 68 minutes)

The Grapes of Wrath (John Ford, USA, 1940, 129 minutes)

His Girl Friday (Howard Hawks, USA, 1941, 91 minutes)

Intolerance (D.W. Griffith, USA, 1916, 192 minutes)

The Long Goodbye (Robert Altman, USA, 1973, 112 minutes) 

Once Upon a Time in the West (Sergio Leone, USA/Italy, 1968, 165 minutes)

Slacker (Richard Linklater, USA, 1991, 100 minutes)

Slaughterhouse-Five (George Roy Hill, USA, 1972, 103 minutes)

Steamboat Bill, Jr. (Buster Keaton, Charles Reisner, USA, 1928, 70 minutes)


Classic Foreign Language Films

8 1/2 (Federico Fellini, Italy, 1963, 138 minutes)

The Bicycle Thief (Vittorio De Sica, Italy, 1948, 89 minutes)

Children of Heaven (Majid Majidi, Iran, 1997, 87 minutes)

Metropolis Restored (Fritz Lang, Germany, 1927, 148 minutes)

A Woman is a Woman (Jean-Luc Godard, France, 1961, 83 minutes)

Xala (Ousmane Sembenne, Senegal, 1975, 122 minutes) 

The Young Girls of Rochefort (Jacques Demy, France, 1967, 124 minutes)


Recent American / English Language Films

Boy (Taika Waititi, New Zealand, 2010, 87 minutes)

Compliance (Craig Zobel, USA, 2012, 89 minutes)

Fish Tank (Andrea Arnold, UK, 2009, 122 minutes)

Four Lions (Christopher Morris, UK, 2010, 101 minutes)

The Limits of Control (Jim Jarmush, USA, 2009, 115 minutes)

Old Joy (Kelly Reichardt, USA, 2006, 83 minutes)

Paranoid Park (Gus Van Sant, USA, 2007, 84 minutes)

There Will Be Blood (Paul Thomas Anderson, USA, 158 minutes)

This is Martin Bonner (Chad Hartigan, USA, 2013, 83 minutes)


Recent Foreign Language Films

Alps (Giorgos Lanthimos, Greece, 2011, 93 minutes)

13 Assassins (Takashi Miike, Japan, 2010, 125 minutes)

Certified Copy (Abbas Kiarostami, France, 2010, 106 minutes)

Chico & Rita (Tono Errando & Javier Mariscal & Fernando Trueba, Spain, 2010, 93 minutes)

Dogtooth (Giorgos Lanthimos, Greece, 2009, 103 minutes)

Exiled (Johnny To, Hong Kong, 2006, 109 minutes)

Gainsbourg: A Heroic Life (Joann Sfar, France, 2010, 121 minutes)

Holy Motors (Leos Carax, France, 2012, 115 minutes)

The Intouchables (Olivier Nakache & Eric Toledano, France, 2011, 112 minutes)

Klown (Mikkel Norgaard, Denmark, 2010, 91 minutes)

Let the Right One In (Tomas Alfredson, Sweden, 2008, 114 minutes)

Le Quattro Volte (Michelangelo Frammartino, Italy, 2010, 88 minutes)

Tabu (Miguel Gomes, Portugal, 2012, 118 minutes)

Trollhunter (André Øvredal, USA, 2010, 103 minutes)

White Material (Claire Denis, France, 2009, 105 minutes)


Documentaries

Armadillo (Janus Metz Pedersen, Denmark, 2010, 101 minutes)

Bill Cunningham New York (Richard Press, USA, 2010, 84 minutes)

Hoop Dreams (Steve James, USA, 1994, 171 minutes)

Man on Wire (James Marsh, USA, 2008, 94 minutes)

Marwencol (Jeff Malmberg, USA, 2010, 82 minutes)

Pina (Wim Wenders, Germany, 2011, 103 minutes)

The Red Chapel (Mads Brügger, Denmark, 2009, 87 minutes)

The Thin Blue Line (Errol Morris, USA, 1988, 101 minutes)

Room 237 (Rodney Ascher, USA, 2012, 103 minutes)


Television Series

Arrested Development

Doctor Who

Little Britain

Louis

Portlandia

Twin Peaks





Criterion Collection Alphabet
Okay, it is a no-brainer that Criterion films are worth watching.  Here are a few that you might not have considered, one or more for each letter of the alphabet.

L'Atalante (Jean Vigo, France, 1934, 88 minutes)

Burden of Dreams (Les Blank, USA, 1982, 94 minutes)

Chafed Elbows (Robert Downey, USA, 1966, 58 minutes)

Chronicle of a Summer (Jean Rouch & Edgar Morin, France, 1961, 90 minutes)

Close-Up (Abbas Kiarostami, Iran, 1990, 97 minutes) 

Daisies (Věra Chytilová, Czechoslovakia, 1968, 73 minutes)

Elevator to the Gallows (Louis Malle, France, 1957, 91 minutes)

F for Fake (Orson Welles, USA/France, 1973, 88 minutes) 

George Washington (David Gordon Green, USA, 2000, 89 minutes) 

House (Nobuhiko Obayashi, Japan, 1977, 87 minutes)

Innocence Unprotected (Dušan Makavejev, Yugoslavia, 1968, 119 minutes)

La Jetée (Chris Marker, France, 1962, 28 minutes)

Juliet of the Spirits (Federico Fellini, Italy, 1965, 137 minutes)

The Killing of a Chinese Bookie (John Cassavetes, USA, 1976, 108 minutes)

The Lady Vanishes (Alfred Hitchcock, UK, 1938, 95 minutes)

Mala Noche (Gus Van Sant, USA, 1986, 77 minutes)

Mickey and Nicky (Elaine May, USA, 1976, 106 minutes)

Mr. Freedom (William Klein, France, 1969, 91 minutes)

The Naked Kiss (Samuel Fuller, USA, 1964, 90 minutes)

Osaka Elegy (Kenji Mizoguchi, Japan, 1936, 71 minutes)

Pickpocket (Robert Bresson, France, 1959, 76 minutes)

Quadrophenia (Franc Roddam, UK, 1979, 114 minutes)

Rashomon (Akira Kurosawa, Japan, 1950, 88 minutes)

Schizopolis (Steven Soderbergh, USA, 1997, 96 minutes)

Shoot the Piano Player (Francois Truffaut, France, 1960, 81 minutes)

Symbiopsychotaxiplasm: Take One (William Greaves, USA, 1968, 75 minutes)

The Times of Harvey Milk (Robert Epstein & Richard Schmiechen, USA, 1984, 87 minutes)

Umberto D. (Vittorio De Sica, Italy, 1952, 89 minutes)

Vivre sa Vie (Jean-Luc Godard, France, 1962, 83 minutes)

Who Are You, Polly Magooo? (William Klein, France, 1966, 101 minutes)

Wise Blood (John Huston, USA, 1979, 105 minutes)

A Woman Under the Influence (John Cassavetes, USA, 1974, 146 minutes)

WR: Mysteries of the Organism (Dušan Makavejev, Yugoslavia, 1980, 84 minutes)

The X From Outer Space (Kazui Nihonmatsu, Japan, 98 minutes)

Yojimbo (Akira Kurosawa, Japan, 1961, 110 minutes)

Zéro de Conduite (Jean Vigo, France, 1933, 44 minutes)






Wednesday, October 30, 2013

Online Shorts: Drums West, Mute, Chocolate Bacon, Agamemnon Counterpart, Solipsist


I plan to highlight online short films as a regular feature, and here are five experimental and animated shorts that I've seen and enjoyed over the past few weeks.

Lately my two favorite resources for online shorts have been Mike Everleth's Underground Film Journal and Amid Amidi and Jerry Beck's Cartoon Brew.  I decided to avoid a Halloween-themed list, but if you're looking for one check out Everleth's "Great Underground Horror Films Streaming For Halloween." Yesterday, Cartoon Brew posted an article about the month-long National Film Board of Canada showcase, Get Animated! Both resources are worth following on their respective Twitter feeds and Facebook pages.

The final selection below, along with six other online experimental titles, can also be found in the Cultural Weekly article, "The New Innovators of Experimental Short Cinema" by Amy Cobb.

I prefer to watch online shorts on my television for a better viewing experience, and Plex and its myPlex media queue has become my go-to resource for collecting any online video for later viewing. I first discovered Plex as an app on my Samsung Blu-Ray Smart Hub, and I use it even more extensively with its channel on the Roku Streaming Device.



The procedure is very simple if you first install the myPlex bookmarklet in your bookmark bar, or add the Chrome myPlex Queue Extension. Simply find a video online, then click the bookmarklet to add it to your myPlex queue.  On pages with multiple videos, you might want to go to the video's source page first to make sure you're queueing the right video.  The videos in your myPlex queue are then available to watch on your television using your Samsung Smart Hub app or Roku Channel. Depending on the quality of the video source, the myPlex image and sound quality is very good (although it can take a little bit of time to access the video in your queue).




"Drums West" cut-paper animation from Jim Henson. This newly rediscovered short was created in Jim's home studio in Bethesda, MD around 1961. It is one of several experimental shorts inspired by the music of jazz great Chico Hamilton. At the end, in footage probably shot by Jerry Juhl, Jim demonstrates his working method.




MUTE from Job, Joris & Marieke on Vimeo.
MUTE is an animated short about a world populated by people born without a mouth. When a gory accident leads to the discovery they are able to create their own mouth by cutting themselves, this releases an enthusiastic chain reaction among the population…

This 4 minute cgi short has been created by Job, Joris & Marieke, a Dutch studio for animation, illustration, character design and music. In 2011 Job, Joris & Marieke made the music video 'I'll take you along' for Dutch rapper Gers Pardoel which has been viewed over 15 million times. The music was made by Happy Camper, and all voices were done by Fresku!

MUTE premiered at the Dutch Film Festival in the Golden Calf competition and was screened at the Anim'est festival in Bucarest. More festival news can be found on the MUTE website

http://jobjorisenmarieke.nl/mute





Chocolate Bacon (2012) from asavari kumar on Vimeo.
SYNOPSIS
Chocolate bacon is a portrait of a young woman’s experiences in the first year of grad school, presented through a series of conversations re-contextualized by abstracted characters. The film is divided into 6 episodes showing slices of life from a 7 month time period and the voices are from real audio recordings. The vignettes are interspersed with pieces where the main character talks more specifically about her trials and tribulations in making the film.

WEB : http://asavarikumar.com/chocolate-bacon/

AWARDS AND SELECTIONS
(Innovation Award) No Budget Film Festival ’12 (CA,US)
(Official selection) Ottawa International Animation Festival ’12 (Ottawa, Canada)
(Official selection) Lone Star Film festival ’12 (TX, US)
(Official selection) BUtiful Film festival ’12 (Bournemouth, UK)
(Official selection) Dirt poor filmmakers festival ’12 (NC, US)
(Official selection) Victoria Film Festival ’13 (Victoria, Canada)
(Official selection) Pune International Film Festival ’13 (Pune,India)
(Official selection) Women and minorities in media Festival ’13 (MD, US)
(Official selection) Fort Myers Film Festival ’13 (FL, US)
(Official selection) Toronto Animation Arts Festival International (Canada, 2013)





Agamemnon Counterpart from Michael Robinson on Vimeo.
Original Recipe (made in 2005):

"In 2571 in the heap of crushed stone among the ruins of that not determined turn blue planet it was found video cassette. The fact that you intend to see, has to it no relation. This is completely different record."

Music and character drawings by Jason Kovac aka Dave From 2001 (D2K1).

Free downloadable video game based on Agamemnon Counterpart created by Jason Baum aka Giz/Gizmonicgamer (PC only)-

fileupyours.com/view/127688/Agamemnoncounterpart_gamezFINASH.rar

Another way to watch:

http://www.yooouuutuuube.com/v/?rows=16&cols=16&id=ZqzESY7SIqU&startZoom=1





Saatchi & Saatchi New Directors' Showcase 2012





Friday, October 18, 2013

Terrence Malick: Six Films Streaming on Roku

A strange thing about doing these posts is that I discover strange patterns in my viewing habits, and what I have and haven't seen.  For example, as I discovered that all of Terrence Malick's films are available through one service or another on Roku, I also realized that for some reason I have only seen the middle three: The Thin Red Line, The New World, and The Tree of Life. I have at least some excuse for missing To the Wonder, which only played on the big screen once on the UW-Madison campus, but it appeared relatively quickly on Netflix streaming, so I should have caught up with it by now.  I really have no excuse for not seeing Days of Heaven; I even owned a copy of it when it first came out on DVD, but those were the days when you were never quite sure if all of the DVD authoring would be compatible with your particular DVD player, and since I could never get it to play in the correct aspect ratio, I never watched it.

Everyone was pretty excited when The Thin Red Line came out in 1998, Malick's first feature in 20 years; since then he has been downright prolific, with the last two features coming out in consecutive years.  As you may recall, there was some pretty odd responses to his Palm d'Or winning The Tree of Life when it came out in 2011.  Several theaters felt it was necessary to post a consumer warning at the box office, perhaps because some irate customers might have been expecting something more conventional from a movie with Brad Pitt and Sean Penn.

Pictured is the placard I came across when I saw the film at Thalian Hall in Wilmington, North Carolina.

I offer no such warning here.  Instead I encourage you to explore some of the most gorgeous images in American cinema, from the Oscar-winning cinematography in Days of Heaven by Nestor Alemendros, to the most adorable baby's feet you've ever seen in The Tree of Life.



Posters and Synopses from The Movie Database



To the Wonder (Terrence Malick, USA, 2012, 112 minutes)

A romantic drama centered on a man who reconnects with a woman from his hometown after his marriage to a European woman falls apart.






The Tree of Life (Terrence Malick, USA, 2011, 139 minutes)

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.






The New World (Terrence Malick, USA, 2005, 135 minutes)

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.






The Thin Red Line (Terrence Malick, USA, 1998, 170 minutes)

Based on the graphic novel by James Jones, The Thin Red Line tells the story of a group of men, an Army Rifle company called C-for-Charlie, who change, suffer, and ultimately make essential discoveries about themselves during the fierce World War II battle of Guadalcanal. It follows their journey, from the surprise of an unopposed landing, through the bloody and exhausting battles that follow, to the ultimate departure of those who survived. A powerful frontline cast - including Sean Penn, Nick Nolte, Woody Harrelson and George Clooney - explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II.

(Until 10/31/13)






Days of Heaven (Terrence Malick, USA, 1978, 94 minutes)

In 1910, a Chicago steel worker accidentally kills his supervisor and flees to the Texas panhandle with his girlfriend and little sister to work harvesting wheat in the fields of a stoic farmer. A love triangle, a swarm of locusts, a hellish fire—Malick captures it all with dreamlike authenticity, creating at once a timeless American idyll and a gritty evocation of turn-of-the-century labor.










Badlands (Terrence Malick, USA, 1973, 94 minutes)

Dramatization of the Starkweather-Fugate killing spree of the 1950's, in which a teenage girl and her twenty-something boyfriend slaughtered her entire family and several others in the Dakota badlands.





Wednesday, October 9, 2013

Coen Brothers: Fifteen Films Streaming on Roku





The buzz for the new film from Joel and Ethan Coen, Inside Llewyn Davis, continues to grow after its New York Film Festival screening.  Besides Rotten Tomatoes, where the Tomatometer rating stands at 89%, a good survey of the current reviews for the film can be found at IndieWire.  As further proof of the Coens' ongoing popularity, InstantWatcher has rated the newly available Fargo as one of the most streamed titles in the last 24 hours.

As it turns out, all of the 15 films written and directed by Joel and Ethan Coen are available through various services on the Roku Streaming Device.  Five of them are available for free with a subscription (which as we know, ain't free): Miller's Crossing (Netflix, Amazon Prime), Barton Fink (Netflix, Amazon Prime), The Hudsucker Proxy (Amazon Prime), Fargo (Netflix, Amazon Prime), and Intolerable Cruelty (Netflix). Most other titles are available through Amazon and Vudu, as well as some other services (simply use the search function on the Roku).  I've listed the titles below in chronological order, using Netflix as the default subscription link and Vudu as the rental link (unless, as in the case of No Country for Old Men, Amazon is cheaper).


Posters and Synopses from The Movie Database



Blood Simple (Joel Coen, USA, 1984, 97 minutes)
A rich but jealous man hires a private investigator to kill his cheating wife and her new man. But, when blood is involved, nothing is simple.












Raising Arizona (Joel Coen, USA, 1987, 93 minutes)
The Coen Brothers tell the story of a absurd yet likable family with an unproductive couple as the focal point. The couple has gotten themselves into some trouble while kidnapping a baby and give Hollywood one of the most memorable chase scenes to date.






Miller's Crossing (Joel Coen, USA, 1990, 114 minutes)
Miller’s Crossing is the Coen brothers' first successful attempt at reaching a wider audience. They illustrate an atypical Mafia story that sways away from the typical films from the genre like The Godfather or Goodfellas. Taking place during Prohibition, this film is an incredible piece of work accompanied by superb acting performances.






Barton Fink (Joel Coen, USA, 1991, 116 minutes)
New York intellectual playwright Barton Fink comes to Hollywood to work as a screenwriter. Staying in the eerie Hotel Earle, Barton develops severe writer's block when his studio boss orders the serious-minded Barton to write a low budget wrestling movie. His neighbor, jovial insurance salesman Charlie Meadows, tries to help, but Barton continues to struggle as a bizarre sequence of events distracts him even further from his task.





The Hudsucker Proxy (Joel Coen, USA, 1994, 111 minutes)
When Waring Hudsucker, head of hugely successful Hudsucker Industries, commits suicide, his board of directors, led by Sidney Mussberger, comes up with a brilliant plan to make a lot of money: appoint a moron to run the company. When the stock falls low enough, Sidney and friends can buy it up for pennies on the dollar, take over the company, and restore its fortunes. They choose idealistic Norville Barnes, who just started in the mail room. Norville is whacky enough to drive any company to ruin, but soon, tough reporter Amy Archer smells a rat and begins an undercover investigation of Hudsucker Industries.





Fargo (Joel Coen, USA, 1996, 97 minutes)
Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!





The Big Lebowski (Joel Coen, USA, 1998, 117 minutes)
Jeffrey "The Dude" Lebowski is the ultimate LA slacker, until one day his house is broken into and his rug is peed on by two angry gangsters who have mistaken him for Jeffrey Lebowski, the LA millionaire, whose wife owes some bad people some big money. The Dude becomes entangled in the plot when he goes to visit the real Lebowski in order to get some retribution for his soiled rug, and is recruited to be the liason between Lebowski and the captors of his now "kidnapped" wife.





O Brother, Where Art Thou? (Joel Coen, USA, 2000, 106 minutes)
O’Brother, Where Art Thou? is a Coen Brother's film roughly based on Homer’s “Odyssey.” Taking place in the deep south in the 1930’s the film tells the story of three escaped prison workers and their journey for a buried treasure. On their journey they come across many comical characters and incredible situations.





The Man Who Wasn't There (Joel Coen, USA, 2001, 116 minutes)
A tale of passion, crime and punishment set in the summer of 1949. Ed Crane, a barber in a small California town, is dissatisfied with his life, but his wife Doris' infidelity presents him with a chance to change it.






Intolerable Cruelty (Joel Coen, USA, 2003, 100 minutes)
A revenge-seeking gold digger marries a womanizing Beverly Hills lawyer with the intention of making a killing in the divorce.





The Ladykillers (Joel & Ethan Coen, USA, 2004, 104 minutes)
An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord: a sharp old woman.






No Country for Old Men (Joel & Ethan Coen, USA, 2007, 122 minutes)
Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.






Burn After Reading (Joel & Ethan Coen, USA, 2008, 95 minutes)
This is comedic tale of espionage. An ousted CIA official's memoir accidentally falls into the hands of two unwise gym employees intent on exploiting their find.






A Serious Man (Joel & Ethan Coen, USA, 2009, 105 minutes)
A Serious Man is the story of an ordinary man's search for clarity in a universe where Jefferson Airplane is on the radio and F-Troop is on TV. It is 1967, and Larry Gopnik, a physics professor at a quiet Midwestern university, has just been informed by his wife Judith that she is leaving him. She has fallen in love with one of his more pompous acquaintances, Sy Ableman.






True Grit (Joel & Ethan Coen, USA, 2010, 110 minutes)
Following the murder of her father by hired hand Tom Chaney, 14-year-old farm girl Mattie Ross sets out to capture the killer. To aid her, she hires the toughest U.S. Marshal she can find, a man with "true grit," Reuben J. "Rooster" Cogburn. Mattie insists on accompanying Cogburn, whose drinking, sloth, and generally reprobate character do not augment her faith in him. Against his wishes, she joins him in his trek into the Indian Nations in search of Chaney. They are joined by Texas Ranger LaBoeuf, who wants Chaney for his own purposes. The unlikely trio find danger and adventure on the journey, and each has his or her "grit" tested.