Showing posts with label Hulu. Show all posts
Showing posts with label Hulu. Show all posts

Monday, November 4, 2013

Johnny To: 10 Films Streaming on Roku

Katherine Spring, recent author of Saying It With Songs: Popular Music and the Coming of Sound to Hollywood Cinema (congrats, Katherine!) posted an interesting link on her Facebook page to Ranked: The Films of Johnnie To From Worst to Best. Almost everyone commenting on the link agreed that there were problems with the rankings (that is true of all such lists, and that is why people keep making them), but nearly everyone agreed that the list itself was ambitious. While many fans in the West know To for his action and triad films, this list does a good job recognizing his romance and comedy output as well.  While I'm a personal fan of Running on Karma (2003), I'm not sure if I would place it at #3 among the films that I've seen so far, but then again clearly Jake Cole at Film.com has seen more of To's overall output than I have. His list has 49 titles, of which I have seen 20, most of which are the action films (and most are at the top of his list).

What inspired me to follow up on this list with a blog entry today was Cole's placement of Romancing in Thin Air (2012) at number 1 on the list. It's one I hadn't seen, or even heard of. Cole points out that while it has not been released in theaters or on DVD in the United States, it is currently available on Hulu (free Hulu in fact, not just Hulu Plus).  I did a little more digging and discovered it is also available on Amazon Prime Instant Video, for those who want to avoid Hulu's ads.

Romancing in Thin Air is certainly a charming, if somewhat predictable, romance. While watching it I was reminded how To has viewed his output as one film to keep Milkyway Studios going strong, then one film for the critics.  Certainly this film is for a general audience, it's well crafted and acted and certainly worth a look for those who are less familiar with this significant part of To's output.  I'm not as crazy about it as Jake Cole at Film.com, but it does fit in interesting ways into To's recurring themes in his non-triad work. Also streaming on Amazon Prime Instant Video is the #16 film on Cole's list, Don't Go Breaking My Heart (2011, co-directed by Wai-Ka Fai), which I also hope to catch up with in the near future.

The other recent To films hat have received more attention from the critics currently are also worth checking out. Drug War has several interesting genre twists that really get you just when you think you know where the film going, and its third act really punches you in the gut. Life Without Principle is a clever network narrative following several characters on the day of a global financial meltdown. It features some abrupt shifts in tone that only To seems to be able to pull off effectively (or perhaps only To is allowed to get a away with).

I did a March, 2011 blog entry on To films streaming on Netflix, but while those links still bring you to the film's Netflix page (the links are not broken), very few of those titles are still streaming.



Posters and Synopses from The Movie Database unless noted.



Romancing In Thin Air (Johnny To, Hong Kong, 2012, 111 minutes)

Amazon Instant Video: After a popular actor is jilted at the altar by an actress he travels to the mountainous area of Yunnan province. There, he finds true love with a heartbroken woman who is also a secret fan of the actor.






Drug War (Johnny To, Hong Kong, 2012, 105 minutes)

The taciturn police commander Zhang leads an undercover drugs team and in his continuous battle against the ubiquitous drug barons, takes up arms against his arch enemy, Timmy Choi. When he gets hold of Choi, he makes a deal with him: in exchange for his life (in China you can get the death penalty for producing only 50 grams of drugs) the young criminal will help the police infiltrate a sizeable drug network.






Life Without Principle (Johnny To, Hong Kong, 2011, 87 minutes)

A criminal, a bank clerk and a police officer find their destinies entwined when a loan shark gets assaulted after having withdrawn $10 million from the bank in the midst of the world financial crisis.






Don't Go Breaking My Heart (Johnny To & Wai Ka-Fai, Hong Kong, 2011, 115 minutes)

Mainlander & financial analyst Cheng Zixin (Gao Yuan-Yuan), who followed her then boyfriend Owen (Terence Yin) to Hong Kong, runs into her ex-boyfriend while riding the bus. Owen is now with his pregnant wife and when his wife spots Owen talking to his ex she she freaks out. Cheng hurriedly gets off the bus and, being in a daze, is almost run over by a car. A haggard drunk named Fang (Daniel Wu) then saves Cheng. Meanwhile, in a nearby car, sits CEO Cheung Shen (Louis Koo) who watches everything that transpires. CEO Cheung Shen is a playboy who also works in an office building directly adjacent to Cheng Zixin. Cheung Shen soon starts to woo Cheng Zixin by sending messages to her through the window of his office building. The drunk haggard Fang, who saved Cheng Zixin's life, runs into Cheng Zixin a few weeks later. It turns out that the drunk haggard is a Canadian-born top architect going through personal problems. They soon become friends.






Vengeance (Johnny To, Hong Kong, 2009, 108 minutes)

François Costello arrives in Hong Kong to avenge the death of his daughter and her family, who were murdered by hired killers. Twenty years before, Costello was a professional hitman... As Costello's memory is fading away, three professional killers, Kwai, Chu and Lok, are sought to help him complete his revenge plan.






Triangle (Johnny To & Ringo Lam & Tsui Hark, Hong Kong, 2007, 101 minutes)

Small-timer Fei (Louis Koo), his harried buddy Sam (Simon Yam), and antique store owner Mok (Sun Hong Lei) are all in desperate need of money. Fei wants his friend to drive a robbery getaway car but Sam backs out, throwing Fei in trouble with the triads. As the three are arguing, a mysterious man leaves them a map, leading them to an unlikely treasure under the Legislative Council building. All their financial woes seem to be solved after a late-night heist, but they are being tracked by shady cop Wen (Lam Ka-Tung), who is carrying on an affair with Sam's emotionally unstable wife, Ling (Kelly Lin), and has connections with Fei. When the twisted relationship tangles come to light, the brotherhood dangerously breaks down and the treasure ends up in the wrong hands.






Mad Detective (Johnny To & Wai Ka-Fai, Hong Kong, 2007, 89 minutes)

A rookie cop teams up with a former detective with a supernatural gift to hunt down a serial killer.






Exiled (Johnny To, Hong Kong, 2006, 110 minutes)

A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.







Election (Johnny To, Hong Kong, 2005, 115 minutes)

A drama-thriller centered on a democratic election within an organized crime society.






The Heroic Trio (Johnny To, Hong Kong, 1992, 88 minutes)

Tung and Ching were both adopted by the same master. But later Ching was abducted by the eunuch-Chan. Ching grew up and became scientist Li's assistant and Tung married officer Lau. Chat had escaped from Chan at 15 and became a thief-catcher. During Chan's intrigue the trio united to become "The heroines of the East".







Friday, November 1, 2013

IVFF Pages: "Quick Picks," "In My Queue," and "Streaming Tools"


I thought I'd use this entry to point out some of the Instant View Film Festival pages I've been developing to help you quickly find good stuff to watch.  The "Quick Picks,""In My Queue," and "Streaming Tools" pages will always be available through the links on the top navigation bar, and I will update them periodically (and I will try to remove dead links quickly).

On the Quick Picks page I will simply list titles that I've liked that are currently streaming. Currently, the page only features Netflix and Hulu Plus titles, but I plan to add other streaming sources very soon (Amazon Prime Instant Video, in particular).  As I point out on the page, almost everything in the Criterion Collection on Hulu Plus is worth watching, so I put together a list of one film for each letter of the alphabet (more or less).  Below I have pasted the list that I updated this week to give you as sense of what you can expect and save you a click.

On the In My Queue page I will simply list titles that I hope to get around to watching soon. The difference between the two pages will be that "Quick Picks" are titles that I've seen and recommend, "In My Queue" are titles that I find intriguing but haven't seen yet, but I think you will want to know are currently available.

On the Streaming Tools page I will periodically add tips that I have discovered using the Roku Streaming Player, Chromecast, and Samsung Smart Hub apps.  For example, I just added a tip on how to watch Conan without commercials using the Roku Plex App.  In the future I will also add notes on lesser known Roku channels worth exploring.







Netflix 

Classic American / English Language Films

The Conversation (Francis Ford Coppola, USA, 1974, 113 minutes)

The Cook, the Thief, His Wife, and Her Lover (Peter Greenaway, 1989, 124 minutes)

Dead Man (Jim Jarmusch, USA, 1995, 121 minutes) 

Duck Soup (Leo McCarey, USA, 1933, 68 minutes)

The Grapes of Wrath (John Ford, USA, 1940, 129 minutes)

His Girl Friday (Howard Hawks, USA, 1941, 91 minutes)

Intolerance (D.W. Griffith, USA, 1916, 192 minutes)

The Long Goodbye (Robert Altman, USA, 1973, 112 minutes) 

Once Upon a Time in the West (Sergio Leone, USA/Italy, 1968, 165 minutes)

Slacker (Richard Linklater, USA, 1991, 100 minutes)

Slaughterhouse-Five (George Roy Hill, USA, 1972, 103 minutes)

Steamboat Bill, Jr. (Buster Keaton, Charles Reisner, USA, 1928, 70 minutes)


Classic Foreign Language Films

8 1/2 (Federico Fellini, Italy, 1963, 138 minutes)

The Bicycle Thief (Vittorio De Sica, Italy, 1948, 89 minutes)

Children of Heaven (Majid Majidi, Iran, 1997, 87 minutes)

Metropolis Restored (Fritz Lang, Germany, 1927, 148 minutes)

A Woman is a Woman (Jean-Luc Godard, France, 1961, 83 minutes)

Xala (Ousmane Sembenne, Senegal, 1975, 122 minutes) 

The Young Girls of Rochefort (Jacques Demy, France, 1967, 124 minutes)


Recent American / English Language Films

Boy (Taika Waititi, New Zealand, 2010, 87 minutes)

Compliance (Craig Zobel, USA, 2012, 89 minutes)

Fish Tank (Andrea Arnold, UK, 2009, 122 minutes)

Four Lions (Christopher Morris, UK, 2010, 101 minutes)

The Limits of Control (Jim Jarmush, USA, 2009, 115 minutes)

Old Joy (Kelly Reichardt, USA, 2006, 83 minutes)

Paranoid Park (Gus Van Sant, USA, 2007, 84 minutes)

There Will Be Blood (Paul Thomas Anderson, USA, 158 minutes)

This is Martin Bonner (Chad Hartigan, USA, 2013, 83 minutes)


Recent Foreign Language Films

Alps (Giorgos Lanthimos, Greece, 2011, 93 minutes)

13 Assassins (Takashi Miike, Japan, 2010, 125 minutes)

Certified Copy (Abbas Kiarostami, France, 2010, 106 minutes)

Chico & Rita (Tono Errando & Javier Mariscal & Fernando Trueba, Spain, 2010, 93 minutes)

Dogtooth (Giorgos Lanthimos, Greece, 2009, 103 minutes)

Exiled (Johnny To, Hong Kong, 2006, 109 minutes)

Gainsbourg: A Heroic Life (Joann Sfar, France, 2010, 121 minutes)

Holy Motors (Leos Carax, France, 2012, 115 minutes)

The Intouchables (Olivier Nakache & Eric Toledano, France, 2011, 112 minutes)

Klown (Mikkel Norgaard, Denmark, 2010, 91 minutes)

Let the Right One In (Tomas Alfredson, Sweden, 2008, 114 minutes)

Le Quattro Volte (Michelangelo Frammartino, Italy, 2010, 88 minutes)

Tabu (Miguel Gomes, Portugal, 2012, 118 minutes)

Trollhunter (André Øvredal, USA, 2010, 103 minutes)

White Material (Claire Denis, France, 2009, 105 minutes)


Documentaries

Armadillo (Janus Metz Pedersen, Denmark, 2010, 101 minutes)

Bill Cunningham New York (Richard Press, USA, 2010, 84 minutes)

Hoop Dreams (Steve James, USA, 1994, 171 minutes)

Man on Wire (James Marsh, USA, 2008, 94 minutes)

Marwencol (Jeff Malmberg, USA, 2010, 82 minutes)

Pina (Wim Wenders, Germany, 2011, 103 minutes)

The Red Chapel (Mads Brügger, Denmark, 2009, 87 minutes)

The Thin Blue Line (Errol Morris, USA, 1988, 101 minutes)

Room 237 (Rodney Ascher, USA, 2012, 103 minutes)


Television Series

Arrested Development

Doctor Who

Little Britain

Louis

Portlandia

Twin Peaks





Criterion Collection Alphabet
Okay, it is a no-brainer that Criterion films are worth watching.  Here are a few that you might not have considered, one or more for each letter of the alphabet.

L'Atalante (Jean Vigo, France, 1934, 88 minutes)

Burden of Dreams (Les Blank, USA, 1982, 94 minutes)

Chafed Elbows (Robert Downey, USA, 1966, 58 minutes)

Chronicle of a Summer (Jean Rouch & Edgar Morin, France, 1961, 90 minutes)

Close-Up (Abbas Kiarostami, Iran, 1990, 97 minutes) 

Daisies (Věra Chytilová, Czechoslovakia, 1968, 73 minutes)

Elevator to the Gallows (Louis Malle, France, 1957, 91 minutes)

F for Fake (Orson Welles, USA/France, 1973, 88 minutes) 

George Washington (David Gordon Green, USA, 2000, 89 minutes) 

House (Nobuhiko Obayashi, Japan, 1977, 87 minutes)

Innocence Unprotected (Dušan Makavejev, Yugoslavia, 1968, 119 minutes)

La Jetée (Chris Marker, France, 1962, 28 minutes)

Juliet of the Spirits (Federico Fellini, Italy, 1965, 137 minutes)

The Killing of a Chinese Bookie (John Cassavetes, USA, 1976, 108 minutes)

The Lady Vanishes (Alfred Hitchcock, UK, 1938, 95 minutes)

Mala Noche (Gus Van Sant, USA, 1986, 77 minutes)

Mickey and Nicky (Elaine May, USA, 1976, 106 minutes)

Mr. Freedom (William Klein, France, 1969, 91 minutes)

The Naked Kiss (Samuel Fuller, USA, 1964, 90 minutes)

Osaka Elegy (Kenji Mizoguchi, Japan, 1936, 71 minutes)

Pickpocket (Robert Bresson, France, 1959, 76 minutes)

Quadrophenia (Franc Roddam, UK, 1979, 114 minutes)

Rashomon (Akira Kurosawa, Japan, 1950, 88 minutes)

Schizopolis (Steven Soderbergh, USA, 1997, 96 minutes)

Shoot the Piano Player (Francois Truffaut, France, 1960, 81 minutes)

Symbiopsychotaxiplasm: Take One (William Greaves, USA, 1968, 75 minutes)

The Times of Harvey Milk (Robert Epstein & Richard Schmiechen, USA, 1984, 87 minutes)

Umberto D. (Vittorio De Sica, Italy, 1952, 89 minutes)

Vivre sa Vie (Jean-Luc Godard, France, 1962, 83 minutes)

Who Are You, Polly Magooo? (William Klein, France, 1966, 101 minutes)

Wise Blood (John Huston, USA, 1979, 105 minutes)

A Woman Under the Influence (John Cassavetes, USA, 1974, 146 minutes)

WR: Mysteries of the Organism (Dušan Makavejev, Yugoslavia, 1980, 84 minutes)

The X From Outer Space (Kazui Nihonmatsu, Japan, 98 minutes)

Yojimbo (Akira Kurosawa, Japan, 1961, 110 minutes)

Zéro de Conduite (Jean Vigo, France, 1933, 44 minutes)






Monday, September 30, 2013

Instant View Film Festival Reboot: October 1

After a 19-month hiatus, I've decided to bring the Instant View Film Festival blog back to life.  The first new post will be tomorrow, October 1.  Subsequent posts will start coming out slowly, but eventually I will work my way up to daily entries.  A few developments influenced this decision.

First, the Roku and Chromecast streaming devices and Samsung Smart TV apps have significantly changed my viewing habits, and I'd like to have an outlet for sharing what I discover using these relatively new tools.  I became somewhat frustrated with the direction of the IVFF was taking because it was too dependent on Netflix as a resource. While Netflix titles will be featured prominently in upcoming posts, I also believe it is relatively easy for people to access other VOD and streaming resources not only on their computers but also on their televisions.  So posts will feature a mix of films available from different sources, subscription-based (Netflix, Hulu), pay-per-view (iTunes, Vudu) or free (Crackle, certain Roku channels, some YouTube).  Apologies in advance for the spoiler, but tomorrow's post will be a mini-festival of films by Andrew Bujalski available on three different sources, none of which are Netflix.

Second, I'm in the process of learning more about web design, and while I develop another cinema-related web project (stay tuned), I'd like to sharpen my skills in code-writing and graphic design by improving what I've already built here.  For example, I hope to learn how to use APIs to provide some of the content for the entries, so basic movie synopses and images will come from the open source The Movie Database (http://www.themoviedb.org/).  After a short course in the basics of Adobe Photoshop, I'm now able to produce buttons and other graphics that should make navigating to the films or to Roku channels much easier.  Some posts will be designed specifically to force me to learn and use certain skills.  So the look and navigation of the blog will be a work-in-progress as I move away from the Blogger template towards new ideas and features that I will design and implement myself.

Third, I had stopped watching movies.  I want to start watching movies again, with a purpose.  I want a return to the thrill the hunt, and to the rewards of finding and sharing good films.  Posts will range from brief thoughts more dependent on The Movie Database synopses to more in-depth entries that provide analysis and context for the suggested mini-festival.  Some will focus in films I have seen, others will focus on films I plan to see.  The suggestions and links will be available and functioning at the time of the posting, but as you know not every film is available forever on every streaming source.  I will make an attempt to go back and fix dead links, but in the case of Netflix the links for films no longer streaming should still bring you to their entry for the film if it is available on DVD.

Okay, enough talk about what I plan to do, it's time to start doing it.  Again, thank you for your time and interest.


JLK