Showing posts with label Musical. Show all posts
Showing posts with label Musical. Show all posts

Monday, November 11, 2013

Joss Whedon: Much Ado About Nothing, Streaming Films and Shows

Only time for a short post with a long list of titles today.  This evening I'm finally going to catch up with Joss Whedon's Much Ado About Nothing, which played the festival circuit and had a limited release and is now available on several on-demand streaming services. (When a title is available on several services, I'll provide a button link to the least expensive option, and a link to the other options at GoWatchIt). As a double-feature I hope to add Cabin in the Woods, co-written by Whedon, which I probably should have caught up with around Halloween, but then again I've never been much of a Halloween fan.

Whedon is interesting for many reasons. A third generation screenwriter (following in the footsteps of his grandfather John Whedon and father Tom Whedon), he seems equally comfortable in the realms of feature films and hour-long television. He's also equally comfortable working in "universes" devised by others (the Marvel universe) or himself (the Buffy universe). And when he's not working on those more elaborate projects he's able to put together more low-key projects, often working with the same group of actors, like Much Ado About Nothing and Dr. Horrible's Sing-Along Blog. Of the "name directors" who are currently bouncing back and forth between television and feature films, Whedon is not as interesting as Steven Soderbergh (who perhaps now will only do television projects), but I find him far more interesting than J.J. Abrams. Both Whedon and Abrams are in the tradition of "movie brats," but I enjoy Whedon's eagerness to explore different formats (comics, the internet) more than Abrams evolving devotion to Spielberg and Lucas.

The only Whedon series I've watched the whole way through has been Firefly, which is pretty easy since it only lasted one season, with an additional feature film, Serenity. In the list below I've included a documentary on the history of the show, Done the Impossible: The Fans' Tale of Firefly and Serenity.




Posters and Synopses from The Movie Database

Feature Films


Much Ado About Nothing (Joss Wheadon, USA, 2012, 109 minutes)

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.






Cabin in the Woods (Drew Goddard, USA, 2012, 95 minutes)

(Co-written by Joss Whedon)

Five college friends spend the weekend at a remote cabin in the woods, where they get more than they bargained for. Together, they must discover the truth behind the cabin in the woods.






Marvel's The Avengers (Joss Whedon, USA, 2012, 183 minutes)

When an unexpected enemy emerges and threatens global safety and security, Nick Fury, director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins!






Serenity (Joss Whedon, USA, 2005, 119 minutes)

When the renegade crew of Serenity agrees to hide a fugitive on their ship, they find themselves in an action-packed battle between the relentless military might of a totalitarian regime who will destroy anything - or anyone - to get the girl back and the bloodthirsty creatures who roam the uncharted areas of space. But, the greatest danger of all may be on their ship.





Done the Impossible: The Fans' Tale of Firefly and Serenity (Brian Wiser, USA, 2006, 79 minutes)

A documentary covering Firefly's birth, death and rebirth from the perspective of both the fans and the cast and crew of both productions.





Dr. Horrible's Sing-Along Blog (Joss Whedon, USA, 2008, 42 minutes)

Dr. Horrible, an aspiring supervillain with his own video blog, is attempting to join the prestigious Evil League of Evil (led by the legendary "thoroughbred of sin", Bad Horse), but his plans are usually foiled by the egotistical superhero Captain Hammer. Dr. Horrible's life is thrown for a loop when he falls in love with Penny, a beautiful and optimistic advocate for the homeless he meets at the laundromat.




Television



Marvel's Agents of S.H.I.E.L.D. (2013-present)

Marvel's Agents of S.H.I.E.L.D., or simply Agents of S.H.I.E.L.D., is an American television series created for ABC by Joss Whedon, Jed Whedon and Maurissa Tancharoen, based on the Marvel Comics organization S.H.I.E.L.D.. The series is produced by ABC Studios, Marvel Television, and Mutant Enemy and is set in the Marvel Cinematic Universe, sharing continuity with the films in that franchise. It revolves around the character of Phil Coulson, with Clark Gregg reprising the role.





Firefly (2002-2003)

Firefly is an American space western drama television series created by writer and director Joss Whedon, under his Mutant Enemy Productions label. The series is set in the year 2517, after the arrival of humans in a new star system, and follows the adventures of the renegade crew of Serenity, a "Firefly-class" spaceship. The ensemble cast portrays the nine characters who live on Serenity. Whedon pitched the show as "nine people looking into the blackness of space and seeing nine different things".

The show explores the lives of a group of people who fought on the losing side of a civil war and others who now make a living on the outskirts of society, as part of the pioneer culture that exists on the fringes of their star system. In this future, the only two surviving superpowers, the United States and China, fused to form the central federal government, called the Alliance, resulting in the fusion of the two cultures. According to Whedon's vision, "nothing will change in the future: technology will advance, but we will still have the same political, moral, and ethical problems as today."






Buffy the Vampire Slayer (1997-2003)

Buffy the Vampire Slayer is an American television series which aired from March 10, 1997 until May 20, 2003. The series was created in 1997 by writer-director Joss Whedon under his production tag, Mutant Enemy Productions with later co-executive producers being Jane Espenson, David Fury, David Greenwalt, Doug Petrie, Marti Noxon, and David Solomon. The series narrative follows Buffy Summers, the latest in a line of young women known as "Vampire Slayers" or simply "Slayers". In the story, Slayers are "called" to battle against vampires, demons, and other forces of darkness. Like previous Slayers, Buffy is aided by a Watcher, who guides, teaches, and trains her. Unlike her predecessors, Buffy surrounds herself with a circle of loyal friends who become known as the "Scooby Gang".







Angel (1999-2004)

Angel is an American television series, a spin-off from the television series Buffy the Vampire Slayer. The series was created by Buffy's creator, Joss Whedon, in collaboration with David Greenwalt. It aired on The WB from October 5, 1999, to May 19, 2004, consisting of five seasons and 110 episodes. Like Buffy, it was produced by Whedon's production company, Mutant Enemy.

The show details the ongoing trials of Angel, a vampire whose human soul was restored to him by gypsies as a punishment for the murder of one of their own. After more than a century of murder and the torture of innocents, Angel's restored soul torments him with guilt and remorse. During the first four seasons of the show, he works as a private detective in a fictionalized version of Los Angeles, California, where he and a variety of associates work to "help the helpless", restoring the faith and saving the souls of those who have lost their way. Typically, this involves doing battle with evil demons or demonically allied humans, primarily related to Wolfram & Hart, a demonic law firm. He must also battle his own demonic nature.






Dollhouse (2009)

Dollhouse is an American science fiction television series created by writer and director Joss Whedon under Mutant Enemy Productions. It premiered on February 13, 2009, on the Fox network and was officially canceled on November 11, 2009. The final episode aired on January 29, 2010. Production wrapped in December 2009, with a total of 27 episodes produced including the original pilot.

The show revolves around a corporation running numerous underground establishments across the globe which program individuals referred to as Actives with temporary personalities and skills. Wealthy clients hire Actives from Dollhouses at great expense for various purposes. The series primarily follows the Active known as Echo, played by Eliza Dushku, on her journey towards self-awareness. Dushku also served as series producer.





Glee

(Joss Whedon directed Season 1, Episode 19, "Dream On")

Glee is an American teen musical comedy-drama television series that airs on the Fox network in the United States. It focuses on the reconstituted William McKinley High School glee club, New Directions, which competes on the show choir competition circuit while its disparate members deal with relationships, sexuality, social issues, and learning to become an effective team. The initial twelve-member main cast encompassed new club director and Spanish teacher Will Schuester, cheerleading coach Sue Sylvester, guidance counselor Emma Pillsbury, Will's wife Terri, and eight club members played by Dianna Agron, Chris Colfer, Kevin McHale, Lea Michele, Cory Monteith, Amber Riley, Mark Salling, and Jenna Ushkowitz. In subsequent seasons, the main cast has expanded to fourteen and fifteen members.







Friday, October 25, 2013

Singin' in the [Mise-en-]scène: The Wicker Man, La France, I Used to Be Darker


Well, after a very lengthy Monday post, I ended up missing a few days...and now here's a short list of recommendations.

This list is inspired by the current run of Matthew Porterfield's I Used to Be Darker at Sundance Cinemas, and my recent viewing (finally) of the original The Wicker Man (unfortunately I haven't seen the restored print of The Wicker Man that has been circulating in theaters).

This is a list of films that feature singing but are not musicals, properly speaking, or are very unconventional musicals.  I Used to Be Darker is not streaming yet (but I recommend putting it in your queue at GoWatchIt), so I'm adding the film that it most reminded me of, Once (2006).  Okay, Once has been easily translated into a Broadway musical, but I'm not sure if it is a film musical.

What all these films share is that they engender the unique exhilaration of simply watching someone sing, especially when you're not expecting it.  I think elaborating on that might ruin the experience, if you're not already familiar with these films.  This list certainly is not exhaustive (I considered putting Nashville and Magnolia on the list...oh, I guess I just did), so any additional recommendations on this theme are welcome in the comments section.

Posters and Synopses from The Movie Database



The Wicker Man (Robin Hardy, UK, 1973, 89 minutes)

Police sergeant Neil Howie is called to an island village in search of a missing girl whom the locals claim never existed. Stranger still, however, are the rituals that take place there.





Once (John Carney, Ireland, 2006, 85 minutes)

The Guy is a Dublin guitarist/singer-songwriter who makes a living by fixing vacuum cleaners in his Dad's Hoover repair shop by day, and singing and playing for money on the Dublin streets by night. The Girl is a Czech who plays piano when she gets a chance, and does odd jobs by day and takes care of her mom and her daughter by night.





La France (Serge Bozon, France, 2007, 102 minutes)

During the First World War, Camille (Sylvie Testud), a young woman whose husband is away fighting at the front, receives a short letter of break-up from him. Distraught, she decides to go to join him, but is driven back by the rule of the time which forbids women to move around alone. She has no other recourse than to dress herself up as a man so as to be able to take to the road on foot. As she lives near the Western Front she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.






The American Astronaut (Cory McAbee, USA, 2001, 91 minutes)

Samual Curtis's first mission in this bizarre science fiction musical comedy requires him to take a cat to a saloon on an asteroid. There, he meets his former dance partner (the Blueberry Pirate) and collects his payment: a device capable of producing a Real Live Girl. Including music by alternative rock group The Billy Nayer Show, this film began life as a live show with a loyal following.









Stingray Sam (Cory McAbee, USA, 2009, 61 minutes)

A dangerous mission reunites Stingray Sam with his long lost accomplice, The Quasar Kid. Follow these two space-convicts as they earn their freedom in exchange for the rescue of a young girl who is being held captive by the genetically designed figurehead of a very wealthy planet.





I Used to Be Darker (Matthew Porterfield, USA, 2013, 90 minutes)

When Taryn, a Northern Irish runaway, finds herself in trouble in Ocean City, MD, she seeks refuge with her aunt and uncle in Baltimore. But Kim and Bill have problems of their own: they’re trying to handle the end of their marriage gracefully for the sake of their daughter Abby, just home from her first year of college. A story of family revelations, people finding each other and letting each other go, looking for love where they’ve found it before and, when that doesn’t work, figuring out where they might find it next.







Wednesday, February 1, 2012

Bollywood: Ghajini, Dev.D, Jodhaa Akbar

After a significant of time off, I will return to regularly scheduled posts and updates in the coming weeks.

This past month a significant number of Bollywood films have been added to Netflix Watch Instantly.  Some of them mark the return of films that I've posted about in the past, including several films with Shah Rukh Khan.

Ghajini might not be for everyone, but it certainly is a wild ride and it features many of the pleasures and odd contradictions of Hindi popular cinema.  It is actually a Hindi-language remake of a 2005 Tamil language film (by the same director), and it is currently the sixth highest grossing Bollywood film in history.  It is often described as a Bollywood version of Memento, but that description will be misleading to those who are unfamiliar with the mix of tones and genres within many Bollywood films.  Certainly many of the plot elements will be familiar to those familiar with Memento, but Ghajini also features an extreme mix of light whimsical romance and brutal violence that one simply would not see in Hollywood genre filmmaking.  If you are willing to handle some extreme genre mixing within the same film (even more so that the typical Bollywood film), you should give Ghajini a try.


Ghajini (A.R. Murugadoss, India, 2008, 177 minutes)
Netflix: After a vicious attack claims the life of his girlfriend and leaves him with a debilitating case of short-term memory loss, mobile phone mogul Sanjay Singhania sets out on a quest to bring down the perpetrators that have ruined his life. Netflix link.







Here are some other films, perhaps more typical of recent Bollywood output.


Dev.D (Anurag Kashyap, India, 2009, 137 minutes)
Netflix: Because they come from different castes, Dev, the son of a tax collector, and his true love, Paro, are not allowed to marry. After Paro's family sends her to Calcutta, Dev despairs and spirals down into a life of overindulgence. Netflix link.







Jodhaa Akbar (Ashutosh Gowariker, India, 2008, 205 minutes)
Netflix: What begins as a strategic alliance of two cultures becomes a genuine opportunity for true love between a mighty Mughal emperor and a Hindu princess in director Ashutosh Gowariker's epic romance set in 16th-century India. Netflix link.


Wednesday, October 26, 2011

Catherine Deneuve: The Young Girls of Rochefort, Dirty Money, A Christmas Tale

Catherine Deneuve turned 68-years-old this past week (October 22).  While there is a limited collection of her films on Netflix Watch Instantly, here are a few that are worth checking out.


The Young Girls of Rochefort (Jacques Demy, France, 1967, 124 minutes)
Netflix: Living in the small town of Rochefort, France, twin sisters Delphine and Solange Garnier (Catherine Deneuve and Françoise Dorléac) yearn for the romance of Paris. But when a charming pair of song-and-dance men (George Chakiris and Grover Dale) comes to town, the sisters get more than they ever dreamed. This effervescent film by acclaimed director Jacques Demy co-stars silver-screen legend Gene Kelly.  Netflix link.





Dirty Money (Jean-Pierre Melville, France, 1972, 99 minutes)
Netflix: When nightclub owner and criminal mastermind Simon (Richard Crenna) pulls off a stunning heist in a small seaside town, the police detective sent to investigate the crime is none other than his good friend Commissaire Coleman (Alain Delon). Worse, as Coleman begins to unravel the case, Simon's girlfriend starts an affair with the cop. Directed by Jean-Pierre Melville, this intense French film noir co-stars Catherine Deneuve.  Netflix link.





A Christmas Tale (Arnaud Desplechin, France, 2008, 151 minutes)
Netflix: Arnaud Desplechin directs this artfully unconventional tale (which received a nod for the Cannes Film Festival's Palme d'Or award) about members of a dysfunctional family who come together for a strained and animosity-filled Christmas reunion. The all-star ensemble cast includes Jean-Paul Roussillon, Catherine Deneuve, Mathieu Amalric, Hippolyte Girardot, Emmanuelle Devos and Deneuve's real-life daughter, Chiara Mastroianni.  Netflix link.






Friday, October 14, 2011

Bollywood: Kites and Kites: The Remix

This weekend I hope to compare and contrast the two versions of Kites that are available on Netflix Watch Instantly.  The closest we've come to a Bollywood crossover in the U.S. has been Slumdog Millionaire, but those familiar with Bollywood traditions know that Slumdog only gave lip service to the form with the musical number at the end of the film.  The biggest obstacles for Bollywood crossovers have been the lengths of typical films and the seemingly arbitrary musical numbers (no matter what genre the film might be otherwise).  The producers of Kites engaged in an interesting experiment to test the waters for a strategy for an American crossover.  Despite the relatively short running time for the film, they cut the American version from 122 minutes to 92 minutes, and they put Brett Ratner (Rush Hour films, X-Men: The Last Stand) in charge of the American cut.

I'd be particularly interested in comments from readers who also have compared the two versions.  I hope to update this entry when I've had a chance to do so.


Kites (Anurag Basu, India, 2010, 122 minutes)
Netflix: Although Mexican bombshell Natasha and Indian hunk Jay don't speak the same language, they quickly develop an intense, mutual attraction. But after they brazenly run off together, the sexy couple encounters severe danger and trouble with the law.  Netflix link.





Kites: The Remix (Anurag Basu, India, 2010, 92 minutes)
Netflix: Brett Ratner gives his treatment to the original Bollywood version of this story, which centers on two star-crossed lovers, Jay Ray and Natasha, who leave behind their wealthy significant others, to be together.  Netflix link,